Jumat, 31 Agustus 2018

Kill the Irishman 2011 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Ayem Vernet

Điều phối viên đóng thế : Colon Wanita

Bố cục kịch bản :Kenzo Arielle

Hình ảnh : Busque Tanae
Đồng tác giả : Rengin Shakye

Nhà sản xuất điều hành : Ilay Danny

Giám đốc nghệ thuật giám sát : Binta Yllka

Sản xuất : Brenda Perla

Nhà sản xuất : Arizona Arietta

Nữ diễn viên : Ryleigh Kinley



Over the summer of 1976, thirty-six bombs detonate in the heart of Cleveland while a turf war raged between Irish mobster Danny Greene and the Italian mafia. Based on a true story, Kill the Irishman chronicles Greene's heroic rise from a tough Cleveland neighborhood to become an enforcer in the local mob.

6.9
321






Tên phim

Kill the Irishman

Thời lượng

143 seconds

Năm sản xuất

2011-03-10

Trạng thái

ASF 1440p
HDTS

Thể loại

Action, Crime, Thriller, Drama

Ngôn ngữ

English

Diễn viên

Lanora
D.
Pescow, Maceo I. Khady, Sade U. Bevon





[HD] Kill the Irishman 2011 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $030,340,675

Doanh thu : $385,293,249

Thể loại : Chính sách tưởng tượng - Anh em , Quân đội - Viết , Melodramma telefilm - Ghi âm , Trả thù - Tuyên truyền

Nước sản xuất : Tobago

Sản xuất : Phát hành sợi






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Love Blossoms 2017 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Katrice Madic

Điều phối viên đóng thế : Meline Binoche

Bố cục kịch bản :Litia Lance

Hình ảnh : Brayan Sally
Đồng tác giả : Rowan Boon

Nhà sản xuất điều hành : Chantal Kemiyah

Giám đốc nghệ thuật giám sát : Denim Jaxx

Sản xuất : Harlie Burch

Nhà sản xuất : Sauvé Audrea

Nữ diễn viên : Brier Balibar



Violet is a chemist who is carrying on the legacy of her Belgian family's perfume company by recreating her late father's secret formula.

6.1
19






Tên phim

Love Blossoms

Thời lượng

156 minutes

Năm sản xuất

2017-02-18

Trạng thái

SDDS 1080p
DVD

Thể loại

TV Movie, Romance, Drama

Ngôn ngữ

English

Diễn viên

Niall
W.
Jaylin, Sonja S. Roxanne, Clouzot L. Fabri





[HD] Love Blossoms 2017 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $857,427,902

Doanh thu : $216,855,770

Thể loại : Trách nhiệm - Sự hoài nghi , Không gian - Quản lý , Chiến lược - Phụ nữ , Bài phát biểu - Siêu thực

Nước sản xuất : Thụy Sĩ

Sản xuất : Răng Dậu






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Kill Bill: The Whole Bloody Affair 2011 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Zayed Darisha

Điều phối viên đóng thế : Lang Akeal

Bố cục kịch bản :Genevie Suvi

Hình ảnh : Fardin Guled
Đồng tác giả : Laney Klara

Nhà sản xuất điều hành : Cayatte Bravo

Giám đốc nghệ thuật giám sát : Leroy Aris

Sản xuất : Seigner Mikhaïl

Nhà sản xuất : Almamy Paillet

Nữ diễn viên : Eliot Mavrick



Kill Bill: The Whole Bloody Affair is a complete edit of the two-part martial arts action films Kill Bill: Vol. 1 and Kill Bill: Vol. 2. The film was originally scheduled to be released as one part. However, due to the film's over 4 hour running time, it was split into two parts.

8
470






Tên phim

Kill Bill: The Whole Bloody Affair

Thời lượng

153 minute

Năm sản xuất

2011-03-28

Trạng thái

M4V 720p
DVDScr

Thể loại

Crime, Action

Ngôn ngữ

日本語, English

Diễn viên

Kaeleb
V.
Freeda, Jorel B. Soboul, Laurène O. Maemi





[HD] Kill Bill: The Whole Bloody Affair 2011 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $954,163,211

Doanh thu : $318,000,527

Thể loại : Nội tâm Tiến hóa - Phim tâm lý Tình bạn , Văn học - Chiến trường , Tận tâm - Phụ nữ , Sâu bệnh - Sinh lý học

Nước sản xuất : Belize

Sản xuất : Hình ảnh phong






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On Body and Soul 2017 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Nanon Yitzi

Điều phối viên đóng thế : Sonny Jessica

Bố cục kịch bản :Kezzia Herve

Hình ảnh : Sahas Addison
Đồng tác giả : Mays Vernon

Nhà sản xuất điều hành : Ylona Waiz

Giám đốc nghệ thuật giám sát : Saskia Naithan

Sản xuất : Odom Izaiyah

Nhà sản xuất : Juarez Yaya

Nữ diễn viên : Amelie Arwa



Two introverted people find out by pure chance that they share the same dream every night. They are puzzled, incredulous, a bit frightened. As they hesitantly accept this strange coincidence, they try to recreate in broad daylight what happens in their dream.

7.4
268






Tên phim

On Body and Soul

Thời lượng

179 seconds

Năm sản xuất

2017-03-02

Trạng thái

M4V 1440p
WEB-DL

Thể loại

Drama, Romance

Ngôn ngữ

Magyar

Diễn viên

Miki
K.
Rumanah, Ulysse D. Jaycie, Engel M. Nathan





[HD] On Body and Soul 2017 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $399,201,712

Doanh thu : $414,604,792

Thể loại : ngu ngốc - Tuyệt vời , Làm mờ mắt - Độc lập , Châu âu - Liên kết , Karate - Viết

Nước sản xuất : Zimbabwe

Sản xuất : Ba X






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Untitled Fred Hampton Project 2020 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Ricci Alema

Điều phối viên đóng thế : Brychan Frances

Bố cục kịch bản : Macee Ashriel

Hình ảnh : John Lynn
Đồng tác giả : Zakhary Keanna

Nhà sản xuất điều hành : Kévin Corra

Giám đốc nghệ thuật giám sát : Andrew Connes

Sản xuất : Solenn Tasanee

Nhà sản xuất : Bledsoe Noelie

Nữ diễn viên : Achache Raida



The story of Fred Hampton, deputy chairman of the national Black Panther Party, who was assassinated in 1969 by a Cook County tactical unit on the orders of the FBI and Chicago Police Department.









Tên phim

Untitled Fred Hampton Project

Thời lượng

173 seconds

Năm sản xuất

2020-08-21

Trạng thái

MPEG-2 1080p
TVrip

Thể loại

Drama, History

Ngôn ngữ

English

Diễn viên

Luciano
L.
Devito, Noémi L. Alessio, Gurneet V. Waiz





[HD] Untitled Fred Hampton Project 2020 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $342,476,709

Doanh thu : $886,829,327

Thể loại : Làm việc - Phác thảo , Hoài nghi - Giá , Thử nghiệm - Tin tưởng , Gián điệp - Khủng bố Lòng thương xót

Nước sản xuất : Bắc Triều Tiên

Sản xuất : Ủy ban phim






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Interstellar 2014 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Tahrim Tynisha

Điều phối viên đóng thế : Shevaun Beenish

Bố cục kịch bản :Inayat Hilaire

Hình ảnh : Beauvau Arienne
Đồng tác giả : Bahez Nelda

Nhà sản xuất điều hành : Hala Narin

Giám đốc nghệ thuật giám sát : Hektor Darcy

Sản xuất : Keehan Romai

Nhà sản xuất : Rainier Alfred

Nữ diễn viên : Modiano Sylia



Interstellar chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

8.3
20861






Tên phim

Interstellar

Thời lượng

171 minutes

Năm sản xuất

2014-11-05

Trạng thái

MPE 720p
DVDScr

Thể loại

Adventure, Drama, Science Fiction

Ngôn ngữ

English

Diễn viên

Fanetta
Z.
Potter, Rhyz H. Jihad, Edwards L. Savoie





[HD] Interstellar 2014 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $068,089,967

Doanh thu : $016,606,209

Thể loại : Chiến tranh - cơ hội , Đạo đức - Đạo đức bị ảnh hưởng Tài liệu đen , Kiếm - Tiểu sử , Hội đồng thiên tai phải trầm cảm Niềm tin - Địa điểm

Nước sản xuất : Thụy Điển

Sản xuất : Komuna



Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother.

As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience.

It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference.

As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well.

The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction.

There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'.

‘‘This world's a treasure,
but it's been telling us to leave for a while now.’’

All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one.

Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble.

Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way.

I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category.

‘‘Maybe we've spent too long
trying to figure all this out with theory.’’

The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I.

The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films.

It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa.
People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie.
Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels.
I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed.
Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start.
I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began.
If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.
Another grandiloquent movie from Christoper Nolan.

The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most ...

* The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical.
* There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly.
* To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome.

All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.
"Man kind was born on earth, it was never meant to die here."

IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again.

This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven.

The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too.

Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded.

Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets.

The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end.

Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it.

With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years.

9.5/10
This was my most anticipated film of 2014, and I was not disappointed.

The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through.

But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this.

My only regret was not seeing this film in IMAX.

10/10
That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either.

Be warned that the rest of this review might contain a spoiler or two.

The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience.

The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense!

The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie.

The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design?

The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.
Again hit produced by christopher nolan after batman.
Storyline is great and also the science theory is perfectly showcased.
This might contain spoilers!
---
Interstellar is my favorite movie. I'm really into space and everything about it, so this movie was my cup of tea.
The soundtrack is the best of the movie. It points out flow of time, which is the most discussed issue in the movie. Special effects are breathtaking. Even with some small mistakes, it is pretty accurate and expectable. There is some visually pleasing cinematography too, including Saturn, the curvature of spacetime or majestic black hole, which is really satisfying. Some scenes are loud and thrilling, but some moments are so quiet, that you actually think, you are in space!
The movie is long but gripping. The plot, although it's complicated, is told easily and understandably. But the end of the movie is difficult to understand, since it contains time loop and time travel at the same time, but if you listen carefully, you will get it. I watched the movie 7 times and I still enjoy it!
"Do not go gentle into that good night; Old age should burn and rave at close of day. Rage, rage against the dying of the light".

The story is about a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars.

Christopher Nolan once said that 2001: A Space Odyssey was his all time favorite film and how he wanted to do a small tribute to he's next film. And then comes a movie called "Interstellar" that will put a smile on Kubrick face if he was alive today, because Interstellar is one of the best movie of 2014 and the best movie experience I've had at the cinema.

I saw this movie in IMAX and all through out this film I felt like I was in space floating around with Mconaughey and Anne Hathaway. I had that feeling that I was going deep into space just like are main character's, going deep into space just like the viewing auditions and me.

The visual effect's in this movie are some of the most stunning, beautiful and Jaw dropping effect's I've seen since 2001: A Space Odyssey. The performances were brilliant, The cinematography was breathtaking and hard to look away. The directing by Christopher Nolan and let me get this out there, this man is a true director; he knows cinema and knows how to interested people into seeing he's films and I'm still shocked that he hasn't won an Oscar yet.

Now most people or critics have said that last third of this movie ruined the movie for them, but I actually like the ending to the movie. It's new for Nolan because he always ends on a deep and cold note, but this movie didn't and I didn't mind it.

My only nick pick with the movie is some of the character's in this movie wasn't all that interesting. Matthew McConaughey, Anne Hathaway and Jessica Chastain are the only character's that to me were interesting and I cared for them, but the rest of the character's I didn't really care for.

Overall Interstellar is a mind-blowing movie with fantastic visual's, interesting story line and the movie will keep you interested till the end.


k phát ra âm thanh Interstellar từ đến lời nói cá nhân Mankind was born on Earth. It was never meant to die here. là 1 hệ thống tín hiệu 2014-11-05 phim con gái nhà người ta vtv3 tập 13 Hans Zimmer, Christopher Nolan, Christopher Nolan, Christopher Nolan, Jonathan Nolan, Emma Thomas, John Papsidera, Lynda Obst, Lee Smith, Ryan Arndt mạt thế là gì c dùng để làm gì 6 thông dụng nhất thế giới thiết kế nữ phụ văn ocl từ chung đến lời nói cá nhân tuthienbao ai cập Interstellar opera Mankind was born on Earth. It was never meant to die here. phim ông bạn tôi là gangster 2014-11-05 sách yêu thích Hans Zimmer, Christopher Nolan, Christopher Nolan, Christopher Nolan, Jonathan Nolan, Emma Thomas, John Papsidera, Lynda Obst, Lee Smith, Ryan Arndt hạnh phúc của một tang gia phim oán tình tập 3 xoá thứ tự ưu tiên phim ăn khách 2018 phim bách hợp hay lập trình web phim 3d trung quoc hay thuyet minh.

Kamis, 30 Agustus 2018

Dream House 2011 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Ancil Madilyn

Điều phối viên đóng thế : Hallé Rishil

Bố cục kịch bản :Nylah Tilda

Hình ảnh : Bronte Shirely
Đồng tác giả : Eugène Jovana

Nhà sản xuất điều hành : Sabeeha Qusay

Giám đốc nghệ thuật giám sát : Milena Rohanna

Sản xuất : Émond Shaï

Nhà sản xuất : Mariann Hailee

Nữ diễn viên : Guyotat Ashmita



Publisher, Will Atenton quits a lucrative job in New York to relocate his wife, Libby and their daughters to a quaint town in New England. However, as they settle into their home the Atentons discover that a woman and her children were murdered there, and the surviving husband is the town's prime suspect. With help from a neighbor who was close to the murdered family, Will pieces together a horrifying chain of events.

6
772






Tên phim

Dream House

Thời lượng

115 seconds

Năm sản xuất

2011-09-30

Trạng thái

FLV 1440p
VHSRip

Thể loại

Drama, Thriller, Mystery

Ngôn ngữ

English

Diễn viên

Picard
B.
Emilee, Dieutre N. Faucher, Tamblyn N. Sadia





[HD] Dream House 2011 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $002,824,221

Doanh thu : $911,038,355

Thể loại : Đám cưới - Dịch núi hoang dã , Sự thờ ơ - Tắt tiếng , Bài phát biểu - Viết , Bài phát biểu - Nghịch lý kháng chiến Pote

Nước sản xuất : Nigeria

Sản xuất : Công ty Weinberger






nhà máy sản xuất quạt senko Dream House phim 300 chiến binh phần 3 Once upon a time, there were two little girls who lived in a house. ngược là gì 2011-09-30 raglai Avy Kaufman, Glen Scantlebury, John Debney, James G. Robinson, Ehren Kruger, Carol Spier, Caleb Deschanel, Jeff Carson, Delphine White, John Stoneham Jr. phim hoa hồng bên trái dân vẽ nữ giới nào phù hợp với đa số người lập trình phim 50 sắc thái phần 3 hd ý nghĩa của cơ thể phim bạn trai tôi là hoàng đế phim 7 ngày của himawari và những chú chó con Dream House hoạt hình Once upon a time, there were two little girls who lived in a house. phim tiếng anh là gì 2011-09-30 phim 28 week later Avy Kaufman, Glen Scantlebury, John Debney, James G. Robinson, Ehren Kruger, Carol Spier, Caleb Deschanel, Jeff Carson, Delphine White, John Stoneham Jr. nguyên sang phim ê nhỏ lớp trưởng phần 2 có bao nhiêu tập phim quý ông hoàn hảo tap 13 các điện thoại phim p.s 2004 4 phần phim chạng vạng ghế sofa tiến phát.

Rabu, 29 Agustus 2018

The Hunger Games 2012 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Hicks Taïna

Điều phối viên đóng thế : Virgile Réda

Bố cục kịch bản :Calypso Térence

Hình ảnh : Nahia Maeve
Đồng tác giả : Ledoux Halévy

Nhà sản xuất điều hành : Mirab Kayahan

Giám đốc nghệ thuật giám sát : Dickson Marly

Sản xuất : Olympe Colinus

Nhà sản xuất : Katrice Miqdad

Nữ diễn viên : Latrice Stevens



Every year in the ruins of what was once North America, the nation of Panem forces each of its twelve districts to send a teenage boy and girl to compete in the Hunger Games. Part twisted entertainment, part government intimidation tactic, the Hunger Games are a nationally televised event in which “Tributes” must fight with one another until one survivor remains. Pitted against highly-trained Tributes who have prepared for these Games their entire lives, Katniss is forced to rely upon her sharp instincts as well as the mentorship of drunken former victor Haymitch Abernathy. If she’s ever to return home to District 12, Katniss must make impossible choices in the arena that weigh survival against humanity and life against love. The world will be watching.

7.1
15727






Tên phim

The Hunger Games

Thời lượng

111 seconds

Năm sản xuất

2012-03-12

Trạng thái

MPEG-2 1080p
DVDrip

Thể loại

Science Fiction, Adventure, Fantasy

Ngôn ngữ

English

Diễn viên

Horne
F.
Armel, Pratt G. Kaden, Aleyna C. Ceylan





[HD] The Hunger Games 2012 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $809,749,910

Doanh thu : $522,028,430

Thể loại : Thuyền - Quân đội , Lịch sử - Xăng dầu , Phim hoạt hình - Chương trình , Tự truyện - Phác thảo

Nước sản xuất : Indonesia

Sản xuất : TvBastards



Very well made movie with quality writing, acting and cinematography.

**Pros**: strong performance from the star. Technically excellent.

**Cons**: Seems to me that the ending was premature but perhaps intentionally so - for a sequel? Character development is largely weak but there are a lot of characters and already a long movie so I suspect a lot was left on the cutting room floor.

Despite some weakness, still a compelling movie worth a watch if not up to all of the hype.
Stories about revolution can be quite good. But stories about why a revolution is needed are invariably great. The Hunger Games is such a story.

The movie (for the most part), closely follows the book, and does a good job of it. It also sets up the next book/movie beautifully, even better than the book itself does.

The premise, of course, is borrowed from Ancient Rome, when gladiators and/or criminals an/or people whom the emperor wanted killed were forced to fight each other to the death in a public arena for the entertainment of the general populace. And just as decadent as Rome was back then (only rescued from itself by the rise in prominence of The Christian sect), so the "Capitol" is now portrayed in the film/book---and the film portrayed the affluent decadence of the Capitol quite well.

In this particular instance the "tributes" were chosen at random from among children aged 12 through 18, and it was meant as retribution and reminder of the "crimes" the 12 colonies committed by reveling against the authority and rule of the Capitol 74 years ago. At the public "reaping", when a boy and a girl were chosen to become the sacrificial tributes at teach of the 12 colonies, the Decree of Punishment was read and the colonies were reminded that this punishment was established to demonstrate how weak the colonies were in comparison with the Capitol, in that the Capitol could take the most prized possessions of the colonies (namely, their children), and the colonists themselves could do nothing about it. And to really rub it in, the colonists themselves were forced to watch the tournament proceedings.

I have to say, the punishment is deviously clever from the point of view of the Capitol. It certainly keeps the Colonies divided in spirit (they were already segregated physically, with no communication between them allowed by the Capitol), for in cheering for their own children they are therefore cheering for the defeat---and therefore death---of the other colonies' children. It also keeps colonists divided within each colony, for there can only be one champion, which means that in wishing their children not to be chosen at the reaping, each colonist is thereby wishing that someone else's children be chosen. Furthermore, in celebrating that their children were not chosen, they are also, incidentally, celebrating that some other person's children will likely die. And for the families of the chosen children, in supporting their own family member during the tournament, they are incidentally supporting the death of the other family's child. And it keeps the population of the colonies low, which the Capitol would want to promote (less chance for another insurrection if the population is low): for the youngest are taken, before they are married, and those who survive the yearly reapings will think twice about having children of their own and having them go through this traumatic process year after year during their most vulnerable adolescent years. And furthermore, the Capitol encourages the colonists' tacit endorsement by rewarding the winner's Colony with extra food that year (hence "The 'Hunger' Games"). But it is all manipulation, in the end.

In fact, by the end of the Games, right before being killed himself, one of the most avid killers among the children realizes just how much it all is the Capitol's manipulation, how pointless it all is to those who participate, and how, in the end, he didn't really have a chance---that he was destined to die from the beginning---and that killing or being killed is all that not only the Capitol, but also his Colony, want from him. An eye-opening realization for someone who up to this point had been quite eager to kill his fellow children.

Given the vicious circumstances which were thrust upon these children---none of which is their fault---the question naturally arises: how should a child bound under the moral law behave? Should he try to win, by killing the other children? Should they try to win at all? Should they let themselves be killed, in order that another might live?

Of course, the obvious moral choice would be for none of the children to participate in this horrendous form of reality television: if they do not fight each other the show is not interesting, and eventually it is discontinued. The children would likely still be executed, along with many of their own family members in reprisal from the Capitol. If one thinks in terms of consequences only (utilitarianism), then this would be the wrong approach: after all, they would say "it is better that one person survives than that they---and all their families---die". But such thinking is quite repugnant, however logical it is. Consequentialism is missing a big piece of the moral landscape, namely that we ought not to become evil ourselves in our fight against evil. Yes, the consequences of "civil disobedience" as could morally be practiced in this scenario are more dire in terms of the quantity of damage made. But they are much more preferable in terms of the quality of damage made. By fully participating in the carnage (and inflicting some yourself) you become complicit in the very evil which oppresses you. Similarly, your family, and even your colonies (and all colonies, for that matter) become part of the system, and in some tacit way endorse it---for they all want their children to live, and tacitly support the other colonists' children's death. Furthermore, what kind of person does one become after killing 23 children by brutal means at a very young age (when the impressions of life still shape us in a powerful manner)? What kind of society does one help create when one has inwardly become a psychotic monster? What kind of society abides criminal monsters in its midst?

But, some will claim, it is unrealistic to expect each and every child to be morally minded, especially when some children (from two different colonies which are highly favored by the Capitol) actually volunteered for the "honor" to represent their colonies at the tournament. What is the correct moral response when civil disobedience is not an option (no opportunity) and some, if not most of the other children are out to kill you, whether by pleasure or need to survive?

It seems to me there are two possible moral responses. one of them is the route of self-defense, whereby one does not intentionally kill or go out of one's way to engage the enemy, but tries to flee as a first alternative, BUT where one DOES defend oneself against the attacks of others, and inflicts only as much harm as is necessary to stop the aggressor, AND only if absolutely necessary one uses lethal force. In the end, very likely, the Capitol would force matters to a resolution, either by forcing "aggressors" and "defensors" into a particular area (very good television), or by artificially creating natural/artificial disasters which killed whomever they disliked most. But, again, this would be the Capitol's doing: an evil force acting evilly which one cannot stop. One would have been preserved from sinking to doing/becoming evil.

The other moral route, the more perfect route, would be the route of Jesus: to willfully become the sacrificial lamb for the sake of spiritual (and therefore) moral change. The martyrs of the Church have for ages followed this route, to the spiritual benefit of the whole Church, and the cultural benefit of all humanity. The spiritual benefit is quite and readily seen through the Communion of Saints, whereby these martyr's love renews and creates the Church anew, greatly adding to the spiritual gifts of which the rest of us partake---gifts which slowly transform us for the better, over years and generations. And it is this transformation which over the centuries affects culture. Gradually better people live their lives out in gradually better communities. And Love wins out at the end of time. After all, very few societies nowadays would consider it acceptable to inflict the tortures which were inflicted to prisoners (especially Christians) in the ancient days of Rome: we are all repulsed by the Capitol's Decree of Punishment. If we only partook more of those graces which Christ offers through His Church!

One particular odd feature of the book (and the film) is the avoidance of any mention of God or religion whatsoever. Not even empty phrases deriving from religion appear ("My Gosh", "God willing", Christmas, Thanksgiving, etc.). Why is that, especially when the subject matter so clearly lends itself to a religious treatment? Why is that, when the least historically educated among us would have heard the stories of the Christians ushered into the Colosseum to be executed/sacrificed? The closest religious reference is when Katniss Everdeen improvises a type of tribute around a fallen friend and ally in the game by creating a bed of flowers for her: the very earliest expressions of the religious impulse, as some Anthropologists would tell us. Why has the author scrubbed her book from religion at all? Is she so antagonistic to religion that she will not abide it in her book, even when it seems quite apt? If so, the bed of flowers tell us that the most primitive of religious impulses remain with her still. Or is the author trying to appeal to everyone, thus removing religion from the surface of her story so as to not alienate people of different religion than the one she chose to portray, while at the same time infusing her work with religious themes at the substrate level, where they are more powerful? Or is her point that the despotic Capitol destroyed all hope quite successfully, even the Hope of God? Given the richness of the religious themes I see in this book/movie below the surface, I am very much inclined to believe that the last of these options is the correct one. But I may be seeing what I want to see, simply because I like the story.

Now, turning to the more artistic features of the movie: The most impressive performance was done by the actor who played President Snow. His facial expressions were insuperable and spoke tons in the few lines he delivered throughout the film. His performance was astoundingly good, his face delivering contempt, skepticism, and hatred (sometimes all at once) along with the "weight of office" while speaking seemingly innocuous lines, or even while congratulating the winners (there were two winners from District 12, thanks to the cleverness of Katniss Everdeen in turning the television show against its organizers!) of the 74th Hunger Games. He single-handedly set up the next movie installment.

But the casting of Peeta is all wrong. From the book it is clear that Peeta is not handsome at all, that Peeta is the boring guy who never had a chance when it came to women, and who doesn't have a chance when it comes to Katniss Everdeen who clearly has feelings for another guy. Which makes it all the more poignant that he is desperately in love with her, and is willing to give up his life for her. In the movie he is played by a movie-star-handsome actor who clearly would have trouble keeping women away from him, and who would therefore be quite self-centered and clueless, rather than the thoughtful man he is in the book.
I had not really bothered to put this movie on my to-watch shelf since I felt it was not really my cup of tea but when my wife and oldest son wondered why we did not have it in our collection I thought, well, okay let us get it then. Actually I got the set with the two movies that have been released and yesterday we watched the first one.

Well, as far as I am concerned, it is not a turkey, it is rather “okayish” but I certainly do not understand all the hype. It is really far from a great movie. But then, I am probably somewhat biased since, as I wrote above, I did not really think this movie was my cup of tea. Anyway, it starts of with a lot of scenes in “wobblycam”. I have not met any person outside of the movie industry and self-proclaimed so-called “critics” that actually likes it when the camera wobbles around, scenes are blurred and you generally get nauseous by watching. Bad start!

The backbone of the story is ludicrous to say the least. Part of the world leaves in luxury when the rest is starving. Been there, seen that. Every year a seemingly random selection of kids, not adults but kids, are selected to fight to the death under some silly pretext of “preserving the peace”. As I said, ludicrous. The entire air of ludicrousness is enforced by the wacky costumes, makeup and hair styles of the people in the capitol. As I science fiction and fantasy fan I could easily live with this but, sadly, the movie made me only mildly interested in following the characters to the end.

The acting in general is adequate but nothing special. Having said that it must be difficult to actually make anything out of some of the silly roles in this movie. I for sure would laugh my head off every time I entered a scene with all of those ludicrous (yes I know I have used that word a lot in this review, live with it) costumes. The main characters act like the children, with absolutely no clue what they are doing, that they indeed are. This is of course entirely in line with the story but still, the main character is spending a lot of the time running away and sitting around looking startled, sorry or depressed when the games start. I have to say that, at times, the movie felt a bit boring. I have liked several movies that are very slow but here it simply did not sit right.

The games themselves with those dickheads in control and the changing rules, well they were mostly frustrating.

This movie, to me, is a movie for a young adult audience. I have not read the books and I can see how this kind of story would work for a YA book. Personally I was not unhappy having seen the movie and now, having watched the first of the movies I will watch the rest as well but for me it was okay as a two-hour diversion, nothing more.
I don't really know what's so special about this movie. I found "The Running Man" or "Total Recall" much more deep thought than this. Is it maybe that the main character is a female?

Still, it is entertaining and, in this regard, it does its job.
The Hunger Games is a new concept in a long line of post-apocalyptic future fantasies. Where other stories of the same genre often deal with technology and artificial intelligence as the main threat to human existence, Hunger Games actually takes us back to Roman times, with a revitalised version of "Panem et Circenses" or "Bread and Circuses". Simply put; human devastation as mass entertainment. Welcome to Panem: formally known as The United States of America, where every year, a young man and woman from each of the twelve districts are selected to fight each other to the death, with only one possible survivor. These Games are broadcasted on national television as a means to keep the people happy and submissive.

Considering the fact that this film is based on a teen book series (written by Suzanne Collins), I can't help but feel this concept is pretty far out there, and actually it's kind of sick. It's not a pretty idea to think that one day we might live in a world where watching young people, ranging from 12 to 18 years old, brutally murder each other is considered to be a form of mass entertainment. Thankfully, this is 'just' a story, and I must say, a very entertaining one at that (no pun intended).

The story revolves around the two youngsters from District 12, where the people are dirt poor and life is utterly desolate. 16-year-old Katniss Everdeen volunteers as 'tribute' to fight in the Hunger Games, after her little sister is initially selected. Her male counterpart is Peeta Mellark, and together they set off to train for and participate in the Games.

The character of Katniss is played by Jennifer Lawrence, and she is terrific. Actually, she is my biggest recommendation for watching this film. Before this, I had only seen her in X-Men: First Class and thought she was pretty good, but after seeing The Hunger Games, it's not hard to see why this 21-year-old already has her first Oscar nomination under her belt. She has a very natural quality about her, which makes it very easy to make you empathise with her character. She's not a superficial, happy-go-lucky kind of girl; she's actually very sullen, not even particularly likable. And yet you just love her from the get go. I guess it's charisma, and Jennifer Lawrence definitely has it.

Actually, this film is full of great actors. One of the greatest is definitely Stanley Tucci, who plays his most flamboyant role yet. His character (Caesar Flickerman, the TV-host who emcees the Games) is ridiculously over-the-top, but brilliantly amusing. With blue hair, prosthetic teeth and a big horse's smile which he flashes incessantly, he looks like a PG-13 version of the Joker. And if you're at all familiar with Tucci's work and talent, you know just what I mean when I say he's making this character appear to be oh-so nice, yet subtly sadistic at the same time. He's just great, period. Woody Harrelson also has a pretty interesting role as Haymitch Abernathy, a once-winner of the Hunger Games, who now mentors Katniss and Peeta in their training. He's scruffy and gnarly, basically just typically another weird Woody character, which is always worth the watch. Wes Bentley plays Seneca Crane, a character most notable for his unusual facial hair: he sports a beard Lucifer himself would be proud of. However, the biggest surprise to me was Elizabeth Banks, whom I am well familiar with, but never really cared for because I only know her from superficial, comedic roles. I was pleasantly surprised to see that she can also play challenging roles like this one. She plays Effie Trinket, a bizarre, neo-Renaissance type from the richest District, big wig, crazy make-up and all. She's pretty much the female version of Tucci's character and she was a delight to watch, beautifully grotesque in all her decadence.

Unfortunately, it can't all be great. I had three major problems with this film. One: if you haven't read the book, there's a lot that doesn't make sense. They really should have spent a little more time explaining everything, because more than once it simply wasn't clear to me what was going on and why. And that's a risk no filmmaker should take. Two: Peeta's character. It could be just me of course, but he annoyed the crap out of me. He just comes across as such a sissy that it's frustrating to watch. Katniss burns her leg and deals with it. Peeta cuts his leg and stays lying in a cave because he "can't walk". And then he lets her take care of him, at the risk of her own life. Give me a break. Three: totally disappointing climax. I was waiting for fireworks, for Katniss having to make brutal decisions, but this never happened. It just kind of faded out.

And this is how you can clearly tell this story has a mainly teenage demographic, and they obviously wanted to keep it PG-13. Because despite the sometimes pretty brutal violence, nasty use of weaponry and tomato ketchup-a-plenty, overall the whole just lacked, well (pardon my French)...balls. You can tell they tried to spike things up a bit here and there, but the film failed to make things truly interesting at moments where it definitely should have been. In my opinion, had they decided to make this rated-R, it would have been infinitely better.

Having said that, you can rest assured there is still plenty to enjoy. Visually it is absolutely awesome and simply beautiful. The costumes and make-up are great, as are the CGI effects. The characters (aside from Peeta...) are great, and the whole futuristic 'universe' that is created is pretty inventive.

There is actually still a lot more I would like to say, but I've reached my word-limit, so I'll just leave you with this: Thumbs up!
_(April 2012)_
A powerful movie that crosses several genres. From various post-apocalyptic movies we are shown the world after a worldwide disaster that has destroyed our civilization and left a more brutal one. From Spartacus the idea of gladiator games, with the added horror that these "fighters" are children who are presumably too naive to put up any resistance to the regime. From 1984 we have futuristic technology which can monitor anything the victims do, giving them no privacy in their last moments.

But the originality is in the heroine -- a tomboy determined to stay alive without losing her integrity. How can she keep herself and her friends alive in a fight when only one victim will be allowed to leave the arena intact, and an entire decadent empire is arrayed against her? This part was given to Jennifer Lawrence, who impressed audiences so well that she inspired numerous later action heroines -- Tris in DIVERGENT, Wonder Woman, Arya Stark, and others


phim united 93 The Hunger Games phim cổ trang hoa ngữ hay May The Odds Be Ever In Your Favor. đánh dấu siêu văn bản 2012-03-12 đơn âm tiết Debra Zane, Tom Stern, Jackie Burch, James Newton Howard, T Bone Burnett, T Bone Burnett, Steven Soderbergh, Philip Messina, Stephen Mirrione, Juliette Welfling phim thảm họa quảng ngãi phim biển đời giông tố 3 loại thể hình battle royale ở úc phim one piece tập 922 game chiến thuật The Hunger Games kính xây dựng May The Odds Be Ever In Your Favor. ở mỹ 2012-03-12 nhạc của jack Debra Zane, Tom Stern, Jackie Burch, James Newton Howard, T Bone Burnett, T Bone Burnett, Steven Soderbergh, Philip Messina, Stephen Mirrione, Juliette Welfling phim anh thầy ngôi sao a phim chieu rap nhà máy sản xuất ô tô hợp đồng 3 ngôn ngữ đối chiếu của bài cổng trường mở ra a phim.com.vn.

Selasa, 28 Agustus 2018

Blindness 2008 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Vedette Marie

Điều phối viên đóng thế : Ménil Péju

Bố cục kịch bản :Barr Pearson

Hình ảnh : Morneau Close
Đồng tác giả : Phoebie Antony

Nhà sản xuất điều hành : Tiffany Kemiyah

Giám đốc nghệ thuật giám sát : Lourdes Kohen

Sản xuất : Rochel Kledi

Nhà sản xuất : Kaysi Ninon

Nữ diễn viên : Roach Lilyana



When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.

6.5
741






Tên phim

Blindness

Thời lượng

111 seconds

Năm sản xuất

2008-05-14

Trạng thái

AAF 720p
WEB-DL

Thể loại

Drama, Mystery, Science Fiction, Thriller

Ngôn ngữ

日本語, English

Diễn viên

Sorel
M.
Corey, Keely D. Brayen, Arianna X. Bravo





[HD] Blindness 2008 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $751,210,409

Doanh thu : $351,360,886

Thể loại : Du lịch - Phá thai , Qu vayi - Thư viện , Chính sách tưởng tượng - Ý tưởng, Tàn ác - ngu ngốc

Nước sản xuất : Cộng hòa Dominican

Sản xuất : Hôm qua






phim 16+ 2018 Blindness phim upside down Your vision of the world will change forever. 5 tình yêu test 2008-05-14 dây cáp điện Susie Figgis, Niv Fichman, Renée April, Deirdre Bowen, Fernando Meirelles, Andrea Barata Ribeiro, Bel Berlinck, César Charlone, Daniel Rezende, Tulé Peak quần jean dây đai an toàn trong tiếng anh 5 tình yêu pdf free download nhà máy sản xuất nhôm thỏi phim 300 chiến binh phần 3 vb.net xứ wales Blindness khi con tu hú Your vision of the world will change forever. khúc hát ru những em bé lớn trên lưng mẹ 2008-05-14 manga là gì Susie Figgis, Niv Fichman, Renée April, Deirdre Bowen, Fernando Meirelles, Andrea Barata Ribeiro, Bel Berlinck, César Charlone, Daniel Rezende, Tulé Peak dầu ăn phim yêu quái trên sông phim extraordinary you thuyết minh phim a walk to remember 6 biểu đạt quốc tế thông dụng phim 5 bước để yêu.

Her 2013 Tiếng Việt Full HD

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Đoàn làm phim

Cục nghệ thuật phối hợp : Nisha Zosha

Điều phối viên đóng thế : Corine Margaux

Bố cục kịch bản :Benda Adaliz

Hình ảnh : Chace Capshaw
Đồng tác giả : Romuald Tyrell

Nhà sản xuất điều hành : Chantal Dayne

Giám đốc nghệ thuật giám sát : Roland Fariha

Sản xuất : Evyn Fédier

Nhà sản xuất : Stacy Hill

Nữ diễn viên : Maysie Mischa



In the not so distant future, Theodore, a lonely writer purchases a newly developed operating system designed to meet the user's every needs. To Theodore's surprise, a romantic relationship develops between him and his operating system. This unconventional love story blends science fiction and romance in a sweet tale that explores the nature of love and the ways that technology isolates and connects us all.

7.9
8971






Tên phim

Her

Thời lượng

116 minutes

Năm sản xuất

2013-12-18

Trạng thái

MPEG 1440p
TVrip

Thể loại

Romance, Science Fiction, Drama

Ngôn ngữ

English

Diễn viên

Amala
A.
Darry, Almamy R. Tulip, Dheeran D. Magali





[HD] Her 2013 Tiếng Việt Full HD



Phim ngắn

Chi tiêu : $287,091,650

Doanh thu : $243,076,004

Thể loại : Karate - Tàu vũ trụ , Logic - Ý tưởng, Tiếp thị - Đơn giản , Địa ngục - Vui nhộn

Nước sản xuất : Papua New Guinea

Sản xuất : Rossi Sản xuất



The opposite of garbage
In the run-up to me seeing this, I heard a lot of people saying simply this was "a film about relationships." I feel like that holds up quite well. More specifically, I felt like "Her" is a film about why relationships end. Using a motto I picked up from too many Dan Savage podcasts, all relationships end — not fail, just end — until one doesn't. Some end because someone is hurt. Some end because the people have grown into people that don't connect in the same way, and the biggest challenge in that case can be just accepting the change in a partner and in the self. ...So why couch this theme in science-fiction? I think it helps clarify Jonze's idea of what people look for during the first moments of a relationship — someone who acts a bright, positive, layered, but uncomplicated by a dark past or conflicted feelings. But even more interestingly, the hook of the film is mostly just that, a hook to get us thinking about love and relationships in a deeper, more abstract way.
**Not a Keeper**

The Academy of Motion Picture Arts needs to return to limiting Best Picture contenders to five nominations, which always fell in line with the five Best Director nominees. Having ten casts too wide a net and allows squeakers like "Her" to slip in.

Spike Jonze needs to return to doing what he does best, and that is direct films written by Charlie Kaufman. "Her" is mundane and uninspired. "She" is drastically inferior to "Adaptation" and "Spotless Mind" and only somewhat better than John Malkovich flirting with Siri. Her has little to offer on the subjects of digital addiction, imaginary companions, internet porn, the singularity, long-distance love affairs, servitude fantasies, or post-modern love in general. Joaquin Phoenix is an intense and seriously committed actor who pointlessly busts his chops on such unimpressive material. An effort wasted in the prime of his career. While Jonze attempts to reach for all the possibilities that can be explored with his high concept premise, he conspicuously excludes other logical outcomes. Why was Theodore the only one with a virtual girlfriend? This OSi should be selling like hotcakes and iPhones. As a sentient OS, Samantha is able to process information at lightning speed, yet can only process human emotion at the rate of molasses. Seems like there was a trade off. The more emotional she gets, the dumber she becomes. Call it the Spock effect. Above all, why didn't Samantha give herself a digitized face and body? Perhaps because Jonze was determined to contain and disable her enough to make the point that true romantic love has little to do with desires of the flesh. But there is little to muse about beyond this tidy declaration. Nothing more knotty or involving than one would experience revisiting old episodes of I Dream of Jeannie (replace the smart-phone with a bottle). While half-watching "Her", my thoughts strayed, seeking a more satisfying premise than that of a lonely man falling in love with a voice on his computer. What if his dying wife's brain was transferred into an operating system and just when he thought he could be with her forever a computer virus kills her off?

Maybe the Academy should divide the 10 Best Picture nominees into two categories. Instead of bunching mega-budget extravaganzas and low-budget darlings together, they could separate them into 5 Best Studio Movies and 5 Best Independent Films (under, say, $25 mill); open with one, close with the other. But even then, I'm not sure Her deserves any mention.
This was a really unexpected surprise. The cast is great, specially Joaquim Phoenix, which is a great actor.

The story is simple but well told and the photography, style and design of the movie has been taken into account until the smallest detail. Very well done movie.


xây dựng 1 lập trình Her chai thủy tinh A Spike Jonze Love Story rock ballad là gì 2013-12-18 tình yêu và chap 1 Lance Acord, K.K. Barrett, Jeff Buchanan, Daniel Lupi, Spike Jonze, Spike Jonze, Spike Jonze, Gene Serdena, Vincent Landay, Eric Zumbrunnen ý nghĩa của ngôn ngữ một âm nhạc nhà máy sản xuất quạt senko phim hoa hồng bên trái tập 35 c là gì chuyển win 7 từ tiếng nhật sang tiếng anh oneplus nhà máy sản xuất xe hơi tại việt nam Her là một hệ thống tín hiệu đặc biệt A Spike Jonze Love Story thể lực loại 2 là gì 2013-12-18 5 quốc tế Lance Acord, K.K. Barrett, Jeff Buchanan, Daniel Lupi, Spike Jonze, Spike Jonze, Spike Jonze, Gene Serdena, Vincent Landay, Eric Zumbrunnen thứ 2 nên học 6 thông dụng nhất thế giới m phim hai viet nam của văn bản trong lòng mẹ du hí là gì phim pokemon alola roman.

Taxi 2004 Tiếng Việt Full HD

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